History2

Aug 11, 2015

The following article summarizes a history of copyright legislation in Canada from 1924 until the present day. You will also find a list of all the important Canadian case law on Copyright Law.

The following article summarizes a history of copyright legislation in Canada.


  • Copyright legislation provides a mechanism to ensure creators are compensated for use of their work in the marketplace and acknowledge the right of a copyright owner to control the use of their work.

    • Copyright legislation provides a mechanism to ensure creators are compensated for use of their work in the marketplace and acknowledge the right of a copyright owner to control the use of their work.

  • Originally, case law has held that the object and purpose of the Copyright Act is to benefit authors. It is now designed to protect creators but also promote access to copyright protected works.

    • Originally, case law has held that the object and purpose of the Copyright Act is to benefit authors. It is now designed to protect creators but also promote access to copyright protected works.

  • Our current Act is based on the British Act of 1911. It was enacted in Canada in 1924, effective January 1, 1924. See full text of the Act here. When this Act came into force, Canada adopted life+50 as the basic copyright term.

    • Our current Act is based on the British Act of 1911. It was enacted in Canada in 1924, effective January 1, 1924.

  • See Copyright Act (R.S. 1985, c. C-42)

  • The principal amendments occurred in 1988 and 1997 known as "Phase One" and "Phase Two" (Bill C 32) respectively.

  • The Act received it's first major amendment in 1988 (Bill C-60) during "Phase One" Copyright Reform which established the following Amendments:

    • The Act received it's first major amendment in 1988 during "Phase One" Copyright Reform which established the following Amendments:

      • moral rights

        • moral rights

        • three dimensional reproduction

        • three dimensional reproduction

        • computer programs

        • computer programs

        • anti-piracy remedies

        • relationship of copyright and industrial design legislation

        • protection of choreographic works

        • right to exhibit artistic works in public

        • an exhibition right for artistic works

        • an exhibition right for artistic works

        • explicit protection of computer programs

        • explicit protection of computer programs

        • enhanced moral rights

        • enhanced moral rights

        • the creation and formation of a new Copyright Board

        • the creation and formation of a new Copyright Board

        • established use of copyright collectives

        • established use of copyright collectives

        • increased criminal sanctions

        • increased criminal sanctions

        • measure to improve the collective administration of copyright

        • measure to improve the collective administration of copyright

        • the abolition of compulsory licenses for the recording of musical works (a copyright owner could charge a royalty if someone wanted to use their work); and

        • the abolition of compulsory licenses for the recording of musical works (a copyright owner could charge a royalty if someone wanted to use their work); and

        • a new procedure to provide licenses for situations where the copyright owner cannot be located

        • a new procedure to provide licenses for situations where the copyright owner cannot be located

  • January 1989 - amendments to the Copyright Act were passed after the signing of the Canada-U.S. Free Trade Agreement. The Amendments now required Canadian cable and satellite companies to pay for the retransmission of work including distant broadcast signals. The definition of "communication to the public" was expanded from broadcasting to include all forms of telecommunication.

    • January 1989 - amendments to the Copyright Act were passed after the signing of the Canada-U.S. Free Trade Agreement. The Amendments now required Canadian cable and satellite companies to pay for the retransmission of work including distant broadcast signals. The definition of "communication to the public" was expanded from broadcasting to include all forms of telecommunication.

  • Bill C-88 passed in 1993 which redefined "musical work" as covering both graphic and acoustic representations of music. Retransmission right of musical works also added. Amendment to ensure that broadcasters, specialty, pay service or cable system transmitters were liable for royalties.

    • Bill C-88 passed in 1993 which redefined "musical work" as covering both graphic and acoustic representations of music and to ensure that broadcasters, specialty, pay service or cable system transmitters were liable for royalties.

  • January 1, 1994 - After the North American Free Trade Implementation Act (NAFTA) came into force on January 1, 1994, the Copyright Act was amended to include:

    • January 1, 1994 - Copyright Act amended to include a rental right (which permits a copyright owner to permit or prohibit the rental of their works) for sound recordings and computer programs. It also increased the protection for importing infringing works whether literary, musical or dramatic.

    • a rental right (which permits a copyright owner to permit or prohibit the rental of their works) for sound recordings and computer programs.

      • It also increased the protection for importing infringing works whether literary, musical or dramatic.

      • Introduced retransmission right and compensation for retransmission right

  • January 1, 1996 - WIPO Treaties - Amendments in the World Trade Organization Agreement Implementation Act extended copyright protected under the Copyright Act to all World Trade Organization (WTO) countries. Performers received protection against unauthorized audio recordings and live transmissions of their performance.

    • January 1, 1996 - Amendments in the World Trade Organization Agreement Implementation Act extended copyright protected under the Copyright Act to all World Trade Organization (WTO) countries. Performers received protection against unauthorized audio recordings and live transmissions of their performance.

    • The World Intellectual Property Organization (WIPO) Diplomatic Conference on Certain Copyright and Neighbouring Rights Questions adopted two treaties, namely the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty on December 20, 1996 in Geneva.

      • These Treaties address the issue of copyright protection in the new digital environment which were signed by the Government of Canada in December 1997. Therefore, Canada needed to amend the Copyright Act in order to comply.

  • "Phase Two" brought on the second wave of amendments which were implemented in Bill C-32. Bill C-32 was assented to on April 25, 1997 and introduced provisions relating to:

 

  • "Bill C-36" - An Act to establish the Library and Archives of Canada, to amend the Copyright Act and to amend certain Acts in consequence. It dies on the order paper on Nov 28, 2005.

    • copyright amendments were dropped due to Dec 2003 deadline for unpublished posthumous works entering into the public domain. Bill didn't pass Senate by end of 2003 and passed as Bill C-8.

    • "Bill C-59" passed June 2007 - amended the Criminal Code to address illegal recording of films in movie theatres and making it an offence to record a film in a movie theatre without consent of the theatre owner. The penalties are fine or jail.


  • March 4, 2004 - CCH Canada Ltd. v. Law Society of Upper Canada 2004 SCC 13

    • copying published works, fair dealing and defences

      • case initiated when I worked as legal counsel at Access Copyright

      • "Bill C-60" and "Bill C-61" were tables on June 2005 but died on the order paper after dissolution of Parliament.

  • March 25, 2004 - Government Status Report on Copyright Reform

  • "Bill C-60" and "Bill C-61" were tabled on June 2005 but died on the order paper after dissolution of Parliament.

  • March 16, 2010 - Charlie Angus tables C-499 to extend existing private copying regime for recorded music to "audio recording devices".

    • May 14, 2010 - Society of Composers, Authors and Music Publishers of Canada c. Bell Canada, 2010 CAF 123

      • looked at question of fair dealing and whether the Copyright Board was right in permitting a website selling digital music files to offer a 30 second clip for free to consumers (fair dealing for research purposes)? SOCAN challenged the Copyright Board and went to federal court to review the decision.

    • May 25, 2010 Ministry of Industry tables Bill C-28 The Anti-Spam Bill (new name from old Bill C-27 which was called the Electronic Commerce Protection Act).

      • See Michael Geist's blog post here where he says it's the same bill new name.

    • "Bill C-32" introduced June 2, 2010 - introduced by the Government of Canada to introduce legislation to modernize the Copyright Act and bring it in line with international standards. Information on the new provisions can be found on the copyright modernization website. Prior to this, the government launched national consultations on July 20, 2009 to get the public's view of proposed reforms to the Copyright Act after Bill C-61. Bill C-32 dies on the order paper when the 41st General Election is called.

    • "Bill C-32" introduced June 2, 2010 - introduced by the Government of Canada to introduce legislation to modernize the Copyright Act and bring it in line with international standards. Information on the new provisions can be found on the copyright modernization website. Prior to this, the government launched national consultations on July 20, 2009 to get the public's view of proposed reforms to the Copyright Act after Bill C-61.

    • September 29, 2011 - Ministry of Industry tables Bill C-11 (same bill previously Bill C-32).

      • See Russell McOrmond's post on this here.

    • June 29, 2012 - Bill C-11 receives Royal Assent

    • July 12, 2012 - Supreme Court of Canada Decision

      • Entertainment Software Association v. Society of Composers, Authors and Music Publishers of Canada, 2012 SCC 34

      • Rogers Communications Inc. v. Society of Composers, Authors and Music Publishers of Canada 2012 SCC 35

      • Alberta (Education) v. Canadian Copyright Licensing Agency (Access Copyright), 2012 SCC 37

      • Re:Sound v. Motion Picture Theatre Associations of Canada, 2012 SCC 38

(by Vandana Taxali/Copyright Entcounsel 2015) (by Vandana Taxali/Copyright Entcounsel 2015)